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Art, Digital & NFTs. 

Curated yet unscripted.


In Round Up #3, we dive into the works of John Gerrard, Eduardo Kac, and Christian Marclay, among others, as they seamlessly blend art, science, and technology to create thought-provoking experiences that challenge our perception of the world.

  1. John Gerrard

Leaf Work at Galway International Arts Festival, 2020

John Gerrard (b. 1974) is an Irish artist who has gained international recognition for

his innovative approach to sculpture. Gerrard creates digital simulations that challenge our perceptions of space, time, and reality.

“ I’m interested in how we create the world around us, and how we’re in turn created by it. My works are intended as invitations to contemplate our relationship with the environment and with each other."

In "Leaf Work" , a cloaked figure adorned in green Irish spring leaves moves slowly across the Connemara landscape, embodying the ancient tradition of the Green Man. The figure's movements were captured using motion capture technology and transformed into an infinite choreography through the use of time motion matching and neural networks. This work explores the interconnectedness of energy, nature, and society, focusing on the representation of environmental stress. It presents a unique blend of dance, seasons, and sustenance, evoking an emotional journey that resonates with viewers.

2. Andreas Gursky

Pyongyang VI, 2017 (2007)

Andreas Gursky (b.1955) is a renowned German photographer celebrated for his meticulously crafted large-scale photographs, showcasing intricate details of landscapes and urban environments. His deliberate approach involves extensive planning and preparation to reveal hidden structures and patterns that shape our world and challenge our perceptions. Gursky's images evoke a unique tension between objectivity and subjectivity, inviting viewers to see the world in a fresh and thought-provoking light. With his work, he seeks to create images that are simultaneously beautiful and unsettling, pushing us to question our assumptions and discover new perspectives.

In his Pyongyang series (2007), Gursky documented his visit to the Arirang Festival in North Korea, a grand event dedicated to the memory of Kim Il Sung. The festival features an impressive display of mass games, with over 50,000 participants executing synchronized acrobatics. Behind them, 30,000 schoolchildren hold colored flip-cards, creating a dynamic mosaic of patterns and images. Gursky's panoramic photographs capture the juxtaposition between the vibrant colors and joyful expressions of the performers and the controlled, totalitarian atmosphere of the event.

3. Pierre Huygue

Variants, 2021- ongoing, scanned forest, real-time simulation, generative mutation and sounds, intelligent camera, environmental sensors, animals, plants, micro-organisms and materialized mutations: synthetic and biological material aggregate.

"I often draw inspiration from the natural world, observing and interacting with living systems to create artworks that reflect the complex relationships between humans, animals, and the environment."

Pierre Huyghe is an artist based in New York, USA. His immersive and ever-evolving interdisciplinary work challenges traditional art conventions and explores intricate relationships between various life forms, both biological and technological. Huyghe's works serve as speculative fiction, blurring the boundaries between intelligent beings and inert matter that learn, adapt, and evolve. Inspired by the natural world, he investigates the intricate connections between humans, animals, and the environment, examining how these interactions shape our perception of reality.

"Variants" is an interactive entity that exists both in physical and digital realms. It transforms a scanned island into a live simulation, where fictional narratives and an artificial neural network generate unpredictable mutations. These mutations affect the island's environment, including its inhabitants, sounds, and objects. The mutations evolve in response to the island's activities, with floodwaters accelerating their growth. Occasionally, these mutations manifest physically on the island, altering its appearance. Visitors can navigate the simulated environment through a screen, observing the island's ever-changing nature. Despite the flood rendering the island inaccessible, the entity persists, indifferent to its surroundings.

4. Eduardo Kac

Adsum, 2019- Ongoing

Eduardo Kac, a Brazilian-American artist, is renowned for his pioneering work in bio art and transgenic art, where he explores the intersections of art, science, and technology. His visionary early artworks from the 1980s anticipated today's global culture; while his recent projects, including collaborations with NASA, push the boundaries of artistic exploration beyond Earth. Kac's innovative blend of telecommunications and art created ephemeral images predating the era of instant communication and artificial intelligence. While digital art has been produced worldwide for decades, Kac believes there is still much progress to be made in its recognition and exhibition.

5. Sofia Crespo

Artificial Natural History, 2020 - Ongoing

Sofia Crespo, a multidisciplinary artist based in Lisbon, explores the intersection of artificial and natural forms in her works. Using machine learning algorithms, she creates ethereal creatures and landscapes that blur the boundaries between organic and synthetic. Crespo challenges our perception of the natural world and our relationship with emerging technologies. Her distorted creatures defy traditional biological classifications, celebrating the diverse beauty of nature. By embracing digital qualities, Crespo provides a fresh perspective on the non-human world and encourages appreciation for its vulnerability and complexity.

'Artificial Natural History' celebrates the endless diversity of the natural world and combines the desire to categorise organisms with a humanistic approach, resulting in distorted creatures that need new biological classifications.

6. Oliver Laric

Screen Capture of Lincoln 3D Scans, 2013

Oliver Laric, a contemporary artist born in 1981, explores the complex dynamics between originality, reproduction, and the digital era. Through his use of 3D scanning, animation, and appropriation of existing images and artworks, Laric investigates how technology shapes our perception of the world and influences our relationship with reality. He examines the interplay between the original and the copy, reflecting on the ease of image reproduction in the digital age and the multiplicity of interpretations that arise. Laric's work prompts us to consider how our perception of objects is mediated by the media through which they are presented.

In "Lincoln 3D Scans" Laric challenges traditional notions of time and heritage, offering a thought-provoking commentary on the malleability of artistic representation.

7. Mark Leckey

Still from Fiorucci Made Me Hardcore, 1999 (still)

Mark Leckey, a British contemporary artist born in 1964, explores the intersection of high and low culture, avant-garde and mainstream, through his multidisciplinary works in film, sculpture, sound, and performance art. He examines how technology and formats shape our consumption and interpretation of images, questioning the boundaries and limitations imposed by these media. Leckey's work evokes atmospheres and triggers memories, akin to sheet music generating images, inviting viewers to engage with his art's sensory and nostalgic dimensions.

"Fiorucci Made Me Hardcore" (1999) is a seminal video artwork that captures the essence of British club culture from the 1970s to the 1990s. Through a mesmerizing collage of found footage, Leckey constructs a visual tapestry of dance, fashion, and music, evoking the euphoria and energy of the era. The work immerses viewers in a nostalgic journey, exploring the transformative power of subcultures and their impact on collective memory.

8. Rafael Lozano-Hemmer

Bilateral Time Slicer, 2016

Rafael Lozano-Hemmer, a Mexican-Canadian artist born in 1967, merges technology and public spaces in his interactive installations that explore surveillance, memory, and human connection. He sees art and science as complementary ways of understanding the world, driven by curiosity and a desire to comprehend complex systems.

Hemmer's interdisciplinary approach weaves scientific concepts into mesmerizing experiences, inviting meaningful dialogues and reflecting on the dynamic relationship between humans, technology, and our environment. His works create spaces for reflection and connection, using technology as a tool for dialogue and expression.

"Bilateral Time Slicer" is an interactive installation that uses biometric tracking and face detection to find the symmetry axis of participants. When the axis is almost vertical, the live camera image is split into two slices. Each participant's slice is recorded and pushed aside, creating a procession of past recordings. Inspired by ancient traditions and modern art, the piece references time-lapse sculptures and masks like the Aztec three-faced mask and works by artists such as Duchamp and Balla. The central strip represents the most recent portrait, while the side strips depict the oldest portraits.

9. Lu Yang

Uterus Man, 2013, video

Lu Yang, born in 1984 and based in Shanghai, explores the convergence of traditional Chinese medicine, spirituality, and modern digital cultures. By blending scientific and technological elements with aesthetics inspired by youth culture, Lu Yang offers fresh perspectives on China's encounter with modernity, with a specific focus on the human body and neurology. The boundaries between art and video games dissolve as technology advances, allowing characters to transcend limitations. However, challenges such as computer speed and teamwork requirements highlight the gap between perception and reality. Lu Yang's integration of anime and game aesthetics creates a powerful tool for sparking dialogue and engagement, as their thought-provoking narratives resonate with contemporary sensibilities.

Lu's 'Uterus Man' is a groundbreaking artwork that confronts societal norms and perceptions of gender. Through the character of Uterus Man, Lu Yang challenges traditional notions of masculinity and femininity, inviting viewers to question and reevaluate their own preconceptions.

10 . Christian Marclay

The Clock, 2010, Video, projection, colour and sound (stereo)

Staring at a screen as clocks from everywhere line up by the minute, synchronizing with real-life time, is Christian Marclay's "The Clock" (2010). In this artwork, thousands of film clips featuring clocks or references to time are meticulously edited together, resulting in a seamless and mesmerizing experience.

Christian Marclay, born in 1955, is a Swiss-American artist known for his innovative and interdisciplinary approach to art. His contributions span visual art, music, and film, with a focus on sound art and sampling techniques. Marclay recontextualizes cultural materials like vinyl records and film footage to create new narratives that defy conventions and push artistic boundaries. Embracing collage as a form of appropriation and recontextualization, Marclay challenges traditional notions of composition and narrative, allowing for new interpretations and connections to emerge. He embraces the transformative power of art to redefine our understanding of visual and auditory experiences.

In Round Up #3, we have explored the captivating works of artists like John Gerrard, Eduardo Kac, and Christian Marclay, who exemplify the power of art, science, and technology to push the boundaries of creativity and perception. Through their innovative approaches and thought-provoking experiences, these artists invite us to question, reflect, and reimagine our understanding of the world around us.

This rounds up the best of this season’s Artist Spotlight. To keep up with our weekly updates, follow us on Instagram and Twitter, or stay tuned for our next Round Up on the rest of our social media channels.

Updated: Apr 25, 2023

If you’ve been following us on social media, you probably know we feature the best digital art and its creators each week. From Gregory Chatonsky to Cao Fei, we uncovered the artistic process and philosophies that drive their work. In Round-Up, we shall take the time to reflect on the best of this season’s series.

1. Gregory Chatonsky's Counterfeits, Mona Lisa

Counterfeits, Mona Lisa, 2021

In his Counterfeits series, Gregory Chatonsky explores the relationship between text and image, using automatic descriptions of iconic western artworks to generate new images.

One of the works in this series, Mona Lisa (2021), raises questions about the role of description and commentary in our understanding of art. By using machine-generated text to create a new version of the famous painting, Chatonsky challenges us to consider how our interpretations of art are shaped by the words we use to describe it. At the same time, his use of digital tools highlights the role of technology in shaping our cultural memories and shaping our understanding of the past.

2. Kate Cooper, Rigged, 2016

Rigged, 2016, Installation View

“I’m interested in labour practices within this digital imagery—it’s almost like a complete collective practice..the slippage between those labour practices and how that might become quite formalized or not so hidden.”

Kate Cooper's Rigged explores the complex relationships between labour practices, digital imagery, and the body. Through her use of digitally-rendered figures, Cooper highlights the ways in which our desires are shaped and mediated by the images we see in our daily lives. At the same time, she also calls attention to the often-hidden labour practices that underpin the production of these images. Her work raises important questions about who owns these images, who can use them, and how they relate to ideas of class and gender.

Ultimately, Cooper's Rigged challenges us to consider new possibilities for agency and engagement with images and think critically about their role in shaping our understanding of ourselves and the world around us.

3. Emile Brout and Maxime Marion's Nakamoto (The Proof), 2014-2018

Nakamoto (The Proof), 2014-2018

“ A lot has been said about NFTs.. its arrival is quite logical..and one always talks about numbers but never about art."

Emile Brout and Maxime Mario's 'Nakamoto (The Proof) is an exploration of the intersection between archival materials, technology, and the creation of new narratives. By using information from the Bitcoin system and other digital archives, the artists construct a series of works that challenge our understanding of the relationship between art and technology.

At the same time, they also raise important questions about the emergence of NFTs and their impact on the art world. While acknowledging the importance of these developments, Brout and Marion remain committed to finding meaning and substance in their work, and to creating works that resonate with a diverse range of audiences. Through their attention to detail and subtle layers of meaning, they invite us to engage with their work on multiple levels and to consider the complex ways technology shapes our understanding of the world around us.

4. Douglas Coupland's I wait and I wait for god to appear, 2011

I wait and I wait for god to appear, 2011, acrylic and latex on canvas, 182.9 x 182.9 cm

Douglas Coupland's work challenges our understanding of what it means to be a contemporary artist. Rather than simply reflecting the cultural moment, Coupland's art is deeply engaged with the forces that shape contemporary life and seeks to explore the ways in which technology, media, and popular culture shape our perceptions of the world.

His use of tactile, object-based artworks creates a sense of connection and intimacy that draws the viewer into his world, while his focus on reinterpreting the events of Generation X from the perspective of the digitally wired brain invites us to rethink our relationship with the past.

Whether working in non-technological formats or using cutting-edge technologies like NFTs and animation, Coupland's work challenges us to consider what it means to be a part of the contemporary moment, and how we can use art to explore the complex forces that shape our lives.

5.'s Online Culture Wars, 2018-2019

Online Culture Wars, 2018-2019, A-0 poster, wallpaper mural

DISNOVATION.ORG is a research collective based in Paris that works at the intersection of contemporary art, research, and hacking. Their mission is to challenge dominant techno-solutionist ideologies and promote post-growth imaginaries and practices. They accomplish this through a range of research activities, including artworks, publications, and curation.

One of their recent projects, Online Culture Wars is a cartography that maps out the online ideological and political frictions that have emerged in recent years, as online cultures have become increasingly polarized and politicized. This cartography is integrated into the visual system of a Political Compass meme, creating a powerful visual representation of the complex forces at play in the online world.

6. Heather Dewey Hagborg's Probably Chelsea, 2017, with Chelsea Manning

Probably Chelsea, Installation view, 2017

Dr. Heather Dewey-Hagborg's art explores the intersection of science, technology, and humanity. Her work involves using biological materials, such as hair or DNA, to create art pieces that serve as a critique of modern scientific practices. Through her art, she poses philosophical and political questions about what it means to be human and the ethics of technology. Her artistic process involves playing the role of a detective, uncovering new discoveries along the way, but there is no grand reveal at the end. Rather, the work is an ongoing process of constant discovery.

7. Pascal Dombis' Post Digital Mirror, 2016-2022

Post-Digital Mirror (X1) , 2013, Exhibition View, Lenticular print on aluminium composites, 2.20 x 1.1 m

Pascal Dombis' work challenges our relationship with technology and the way we perceive images. His use of excess and repetition in creating dynamic visual environments highlights the unpredictability and irrationality of technological processes. Through his work, Dombis aims to confront the seemingly perfect digital process with visual accidents and fuzziness, creating room for chance and creating new ways of looking at things. By questioning the nature of images, Dombis redefines what we consider to be an image, expanding our understanding beyond traditional visual media to include lines and words.

8. Justine Emard's Co(AI)xistence, 2019

Co(AI)xistence, 2019, video installation, 12'

Justine Emard is a visual artist based in Paris who focuses on exploring the connections between human existence and technology. Her work raises questions about how robots and humans can redefine coexistence in the world. Through collaborative projects, she has investigated how much interaction is possible between humans and data through artistic interfaces.

Emard became interested in AI and autonomous systems, and her work explores the concept of embodiment and dialogue with the other. She believes that the body is a rarely covered subject in relation to technology and is fascinated by the idea of autonomy in systems.

9. Félicie d’Estienne d’Orves’, Gong, 2009

Gong, 2009, Video projection on aluminium dome, 2,60 x 0,60 M. Loop : 30 min

Félicie d’Estienne d’Orves (b.1979) is a French multi-disciplinary artist whose work transcends the boundaries of traditional art forms. Through her use of light, sculpture and new technologies, she creates immersive installations that engage the senses and challenge our perceptions of time and space. Her performances are particularly noteworthy, as they offer a unique experience that goes beyond the expected, blurring the line between the spectacular and the sensory. Through her work, Félicie d’Estienne d’Orves invites audiences to connect with the world around them in new and unexpected ways.

10. Cao Fei's RMB City, 2008-2011

RMB City , 2007-2011, Still of 3D model of the city

“ I got interested in Second Life around 2006, which was its peak as an online community. I began to travel around it a lot with my avatar, China Tracey, and I was spending maybe eight hours a day in Second Life. The landscape there is full of representations of real-life cities that people have built, so you can find Time Square or the Eiffel Tower, or bits of Amsterdam. There are universities with mirror campuses and various businesses like IBM. But there were hardly any representations of China.”

Cao Fei's interest in Second Life led her to create her acclaimed work RMB City , a virtual metropolis that serves as a commentary on the rapid urbanization and globalization of China. The project features a mix of futuristic and traditional Chinese architecture, as well as various social and cultural references. Through this work, Fei explores the potential of virtual spaces as a means of expression and communication and questions the relationship between the physical and virtual worlds.

This rounds up the best of this season’s Artist Spotlight. To keep up with our weekly updates, follow us on Instagram and Twitter, or stay tuned for our Round Up on the rest of our social media channels.

If you pop over NFT Paris, do visit Aika's booth (Booth L) which will feature an array of exciting digital art experiences centred on VR and Metaverse.

These include an unpublished edifice and roman amphitheatre from sketches of Leonardo da Vinci brought to life in the Metaverse, Stephan Breuer's AI generated clouds encapsulated within frames from the Louvre Museum, expressing the artist's vision for a new infinite virtual world and a first public presentation of contemporary artist Yang Jiechang's Metaverse space.

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